Haven In Hell – NightHeaven's Blog

This week, we are enjoyed by photos and videos of childhood days of the judges and dancers. Seeing the photo of Nigel’s English schoolboy attire and Mary Murphy’s kiddy-diva days is quite fun.

And here’s how the performances go:

First couple on stage, Ashleigh and Jakob, Hip Hop, by Tabitha and Napoleon D’Umo. It’s funny if we take a look at how this couple’s dances work out till now, they have been stringed into a relationship. First, Ashleigh seduced Jakob, then they got married, then they battle over a cane, and this evening Jakob is cheating on Ashleigh! And, what a great dance to start this show, this should be one of Tabitha and Napoleon’s best choreography. Both of them show their passion and anger when it comes to being in a relationship. Their acting is so believable, their moves are precise, there is nothing to criticise them. There is no doubt that they should end up in the top 10.

Second, Karen and Kevin, Broadway, by Spencer Liff. Without energies, without personalities, Broadway is dead. Both of them don’t get the Broadway style, their chemistries are gone. Kevin is struggling hard, he looks very uncomfortable. After three straight weeks on the Hot Tamale train, they are off track this week.

Third, Noelle and Russell, Fox Trot, by Eddie Simon. This is the second time that they pull out this style, though Noelle failed to perform due to her injury last time. Now we finally get a chance to see how they handle this second deadliest dance of the show. First, Russell has imiproved greatly since his first performance, his footwork and arm placement are much better now. Noelle’s movements are gorgeous, and graceful to look. The whole performance, their lifts and chemistry are all amazing. This is not their comfort zone, but they pull it off.

Fourth, Channing and Victor, Jazz, by Tyce Diorio. Tyce’s style has become more and more crazy, and I love it. This piece looks a bit like the “Hummingbird” dance, Channing and Victor turn into two eclectic black birds. Great performance. Channing has finally show her progression in the show. Though the judges think that Victor has not grown as much as the other contestants. Overall it’s a good routine, however, the question is whether the audience like the concept or not.

Fifth, Kathryn and Legacy, Paso Doble, by Tony Meredith. Legacy has continue to impress everyone, as a B-boy, he sure has grown a lot. Kathryn has become another person this week, more mature than ever before. This toutine is passionate, fierce and intense, all that you could ask for in Paso Doble.

Sixth, Ellenore and Ryan, Contemporary, by Travis Wall. Once again, Travis has proved himself to be a great choreographer. This routine is a simple yet passionate story, is very beautiful and has pulled both dancers’ strengths on. Both dancers have completely put themselves into this piece and their characters. Ryan’s strenth makes the lifts effortless.

Last, Mollee and Nathan, Pop Jazz, by Laurieann Gibson. Hard hitting, sharp and on the point, that’s Laurieann’s works. Both of them have achieved all of them, the dream team’s back. They synchronize with each other flawless. Mollee’s very committed to her dancing. Nathan is called one of the most technically gifted dancers on the show, though he needs to be more mature.

Then, before the show ends, Cat asks the judges who they think might be in danger, and all judges agree that it would be Karen and Kevin. While I doubt Channing and Victor might not attract enough votes for them.