So this is it, after a twisted and shorten season, it’s the finale of So You Think You Can Dance Season 6. At this point, it’s really hard to tell who’s going to win, anyone is possible to win the American’s votes.

As tonight we have a two hours show, so we are reminded of some of the best routines that the judges think.

But first up, the Top 20 take the stage for a very exciting and energetic routine to open the show. Then it’s a quick recap of the previous night’s performances.

The season’s best routines are then relived. First up is Kevin, Legacy and Russell’s hip hop routine that reminds us how great they are in their own style. Next up is Elleonore and Jakob’s Sonya Tayeh jazz number. The three tappers (Phillip, Peter, and Bianca) then let us recall when they made the top 20. Ashleigh and Ryan show off a new Latin ballroom routine that they choreographed themselves, and it’s hot and incredibly amazing.

Leona Lewis performs a new song from the movie “Avatar”, which sucks. Then the dance group The Groovaloos impress us with some serious street dancing, love them.

Another two favorite routines come from Kathryn and Jakob’s emotional contemporary, and Mollee and Nathan’s Bollywood.

It is time for some results, but right before all the contestants take the stage, Russell mysteriously injures his knee. It’s no big deal, but unfortunately we won’t be seeing him dance this evening any more.

Anyway, the first one leaving the competition is Ryan, not a surprise to me.

Adam Lambert gives a subdued performance.

And the next dancer that gets least votes is Ashleigh, a bit surprise to me, I thought American would love her more. Maybe it’s because she didn’t dance last week?

Ellenore and Legacy perform their dangerous contemporary table routine by Travis Wall. Then, as Russell can not dance at the moment, we are shown a video of him and Noelle’s African Jazz routine. I believe it’s really hard for him to be sidelined at such a moment.

Next one that pull the least votes is Ellenore. Her weird dance will definately be remembered.

The four contemporary dancers of this season perform their first routine again, then it’s another video showing Russell dancing hip hop with Kathryn. It’s great to see that he has quite a few memorable moments this season.

Mary J. Blige takes the stage to perform her latest single “I Am”, love it. Then the top 20 perform their first routine fo the season, choreographed by Wade and Amanda Robson.

Another elimination, and it’s Kathryn. She’s become a superstar this season, peaking at the right moment. Still, people love the other two talented dancers a bit more. Anyway, I hope she has a bright future.

Jennifer Lopez performs, along with some dancers from season 5 and 6.

It is now time to find out who’s America’s favorite dancer.

And the winner of So You Think You Can Dance Season 6 is… RUSSELL!! WOW!!! Nicely done, you deserve it. Congratulations!

I really hate season 6 of So You Think You Can Dance very much, it’s been twisted so much. This evening’s finale performance has again been shortened to a one-hour time slot, what the ****!

Because there is only one hour, so there is no solos, no girls’ or men’s group dance. Still, each contestant has to dance three times, with different partners. Here’s how the night goes down:

First on stage, Kathryn and Ryan, Samba, by Jason Gilkinson. I really hope that Jason will get more choreographs in the future seasons. He’s done another incredible job of presenting us a tribal-like samba. Ryan is of course great in his style, while Kathryn has very great control in all her movements. Great start of the night, if they could have shown a bit more emotions it’s be perfect. Adam Shankman even commenting that the show should be renamed “The rise of Kathryn.”

Second couple, Jakob and Ellenore, Broadway, by Tyce Diorio. Another fantastic choreography. Both dancers’ strengths and personalities are shown amazingly. There is no doubt that these two are the best technical dancers of the six, and you’ll never disappointed with anything they’ve performed. The combination of Jakob’s flexibility and Ellenore’s smoldering look amazes everyone. You can’t criticize them with anything.

Third, Ashleigh and Russell, lyrical jazz, by Sonya. Russell’s growth is really unbelievably impressive. Having never been formally trained, his talent is just so extraordinary. As the judges say, there is no denial that Ashleigh is a great dancer and performer, BUT Russell completely owned this piece. His extensions and pointed toes look just like professionals. Mary Murphy even cries for she has “never watched someone grow as much as Russell has.”

Fourth, Ellenore and Ryan, Jazz, by Gary Stewart. This is a weird robot dance, and I think it might do some harms to both of them in the voting. As for me, I could not find myself liking the dance. Both of them performed this number as well as they could, but it’s not connected to me. Ryan’s still a strong partner, but there are times that he does not fully straighten his legs or really get himself into the character. On the other hand, Ellenore is completely into her character.

Fifth, Ashleigh and Jakob, Fox Trot, by Jean Marc Generaux. I agree with Nigel that they are a better couple than Ryan and Ashleigh. Their chemistry is so strong that you would think are the real couple. Jakob has always supported Ashleigh in every moves, making her shine. This is not a better performance than some others of the night, still it’s a great routine. And I believe both of them will get many votes.

Sixth, Russell and Ellenore, Paso Doble, by Jason Gilkinson. This is a dance all about passion, and both of them show their passions from beginning to the end. Ellenore’s silhouette move in the dark, and the fire in Russell’s eyes, if you say that’s not passion, you are blind. Though this style is way out of their comfort zones, and they could have improved in some areas. The attention that they commands in their movements and facials will make you forget to look at their steps.

Seventh, Kathryn and Jakob, Contemporary, by Dwight Rhoden and Desmond Richardson. I am full of emotions at the end of this dance, and I’m not the only one. This is the best routine of this season, without any question. It has brought on the first and only standing ovation of the season. They are just amazing, there is nothing that you can criticize them. Never have we seen such sincere and emotional dance as this. I really hope that Jakob will take Nigel’s advice to join a company after the show, and hopefully Kathryn will get a chance too.

Eighth, Ashleigh and Ryan, Contemporary, by Travis Wall. Finally, this married couple gets a chance to dance together as a couple. And what’s better than a Travis’ piece? Both of them show happiness and sincere emotions throughout the dance. Together, they are beautiful and make an amazing partnership. The husband and wife are brought to tears by the tenderness of this piece, which I think will pull some votes for them.

Nineth, Kathryn and Russell, Hip Hop, by Tabitha and Napoleon D’Umo. Now this is what we’ve expected from this married choreographers. It is HOT. Russell is great in his style, but Kathryn is right up there with him. Both dancers are so hard-hitting and uninhibited that every movement they do is beyond what you’d have expected from them. Great piece to end the night.

Last word, my bet on the winner, I think it would be between Jakob, Kathryn and Ashleigh. We’ll see.

The show begins with the introduction of every contestants, and we all notice that someone is missing, Ashleigh. She is then brought on the stage with her arm in a sling. Bad news, she injured her shoulder earlier in the rehearsal, the doctor would not clear her to perform despite she’s feeling good and begging. Anyway, the audience still have to vote for her if they want her to continue to the finale next week.

Yes, next week is the finale of this season. They’ve changed the rule, which is really bad. I want to watch more performances!

The dancers drew new partners this week and perform two routines and a solo as they used to. Here’s how it all goes down.

First couple, Ryan and Kathryn, Disco, by Dorianna Sanchez. What’s great to start a dance show? Yes, a fun, high energetic Disco routine that gets the crowd going. Ryan’s ballroom training background makes him a great partner for everyone. Though this is not the best Dorianna Disco routine, it still delivers what you would expect to see. A good start of the night.

Second, Jakob and Mollee, Viennese Waltz, by Jason Gilkison. Best Viennese Waltz of all seasons, ever. This is the first time that a Viennese Waltz makes me exciting, and I doubt anyone else can choreograph such a beautiful, flawless routine with excitement. The dancing is so breathtaking and flowing that I’d want it to continue for hours.

Third, Legacy and Ellenore, contemporary, by Travis Wall. He just did it again, Travis is really a very talented dancer and choreographer. This a contemporary routine that we won’t see that often. It’s dangerous, angry, aggressive and exciting. Both Ellenore and Legacy dance very well, and they are into their characters. The only thing that worries me is that some people might not get used to the other side of contemporary.

Fourth, Russell and Rachel (Shane’s assistant), Hip Hop, by Shane Sparks. Shane’s back with another great piece. Although only having less than a day with his new partner, Russell hits it out of the park. From beginning to the end, he’s hard hitting and attacks every move. It’s a pity that we could not see the chemistry between him and Ashleigh, which I believe would be amazingly good. Anyway, like Nigel says, I believe he’ll be in the finale as well.

Fifth, Ryan and Kathryn, Cha Cha, by Jason Gilkison. Jason is the man tonight, what a smoking cha cha! There is no doubt that Ryan execute a great performance in his own style. What amazes us is that Kathryn steps it up, like a pro. The movements, steps, and lifts areextraordinary, and they show how great the chemistry is between the two.

Sixth, Jakob and Mollee, Broadway, by Joey Dowling. I have to disagree with the judges on some degrees. This is not a great broadway routine overall, the opening is a bit boring, I only get a bit excited when they take off their coats. Compared to the waltz, this one fails for me. But I believe they will be safe.

Seventh, Legacy and Ellenore, Hip Hop, by Tabitha and Napoleon D’Umo. A weird, alien-inspired piece. Worst routine choreographed by this couple. I love their numbers in previous seasons very much, but this one, not even impresses me a bit. There is no elements of Hip Hop in this dance, and it doesn’t show off anything from the two. I really doubt they would be in great danger.

Eighth, Russell and Alicia (Nakul’s assistant), Bollywood, by Nakul Dev Mahajan. There is no story in this number, it’s just pure dancing. But I still enjoy it very much. Russell’s spirit is very high, which is realy great for such routine. It makes people exciting. Not to mention that with no training background, he manages to execute those steps and lifts very well.

THE SOLOS

No solo for Ashleigh, I really doubt that people would pick up phones and vote for her.
Jackob is technically the best dancer this season. However, he’s lacking a bit of emotions, which might not get him relate to the audience.
Best solo of Mollee, If she could choose some other outfit, it would be perfect.
Legacy always wow us with his movements, this time with a phone, hoping that people would vote him.
It seems that Ellenore tries to get out of her alien world, but she fails.
Russell busts out in a Santa Claus outfit, which makes me laugh. Though he loses his shoe and his strength quite a few seconds later, still, I love him.
Kathryn has grown quite a lot after all these weeks, and as the judges say, she peaks at the right moment.
Ryan’s solo is not that impressive, but he tugs at our heartstrings by begging fans to vote for his wife. How sweet he is.

The pressure is now off the judges, but it’s sad that they don’t have control over who should continue in the competition. Whatever the result is, all the top 10 dancers will make the national tour, which is great for them.

The night starts with a Tyce Diorio wild routine, we could see Jakob and Russell are better in executing it than other players. Then we are shown a video of Dominic (season4 contestant) testing the dance knowledge of Kmart shoppers. To my surprise, quite a few of them know the dance vocabulary.

The 5 girls are brought onto the stage first, and we learn that Ellenore, Mollee, and Ashleigh are safe, while Noelle or Kathryn might go home. Then it’s time for the guys, Russell, Legacy, and Jakob are safe, leaving Ryan and Nathan in danger.

The Legion of Extraordinary Dancers take on the stage before the solos, they are really damn amazing.

The solos won’t change anything, it’s only their last chance to show the American what they can do. So most of them don’t contribute much energies into the solos.

Noelle dances with joy, but I doubt that kind of joy is enough to capture more votes for her.
Ryan does what he did the previous night, nothing new.
Kathryn’s technique is still flawless, I think she needs to work on her emotions if she wants to continue on this competition and pull more votes.
Nathan almost does the same movements as well, and he still fails to show any emotions.

Then it’s a performance by Snoop Dogg, along with the Quest Crew (which previous season’s contestants Dominic, Hok and Ryan are in).

It’s result time, and the two are leaving are Noelle and Nathan. Not to my surprise.

Starting from this week, the judges will have no say over who are going home, the audience’s got the power. And now it’s more of connect to the audience than technique or skills. Lucky for the 10 contestants, this week the producers decided to make a profile of each one, to showcase where they came from and what inspired them to dance. And most important of all, playing family cards.

Here’s how this evening goes.

First up, Noelle and Ryan, Hip Hop, by Tabitha and Napoleon. This piece is about some kind of sexy office business, and I like it. Both of them are very into their characters. Chemistry is strong between the two. ( I wonder Ashleigh would be jealous or not. ) Noelle has turned from the too sweet character that she’s been criticized into a attractively sexy dancer. If only they could hit harder and be sharper in some movements, this routine would be perfect.

Second couple, Ashleigh and Legacy, Contemporary, by Gary Stuart. This piece, I believe would leave them in danger. It looks like two warriors are fighting each other, however, I really don’t get the concept of it. What I see is they are just jumping and rolling around the stage. I could understand that those movements takes a lot of physical strength and stamina, and not easy to accomplish. But I don’t see anything that could make me connect to their dance. Although all the judges praise them highly, I doubt the audience feel the same as they do.

Third, Kathryn and Nathan, Broadway, by Spencer Liff. The couple work quite well with this routine, their styles fit into the dance excellently. However, their chemistry is not that good. Kathryn’s movements looks so effortless, yet she still looks elegant. Nathan, on the other hand, looks so nervous that he can not even fake a smile. I believe his fan base is getting smaller and smaller now.

Fourth, Ellenore and Jakob, Quickstep, by Tony Meredith and Melanie Lapatin. The dreaded kiss of death is not a problem for this perfect couple. Instead, they have knocked this one out of the park. Great performance and fantastic chemistry. There is just nothing that Jakob can not do. As Mary says, they have been given some very tough moves, yet they still make them look very easy to do. They’ve also included a fewe timesteps to honor the three tappers.

Fifth, Mollee and Russell, lyrical/jazz, by Mandy Moore. Leaving away from Nathan has made Mollee much much more mature, and grow up very very much. The two creat very beautiful body lines together, and use their natural chemistry to perfect this routine. Both of them share complete passions and trusts with each other. Everyone’s impressed by them, they even become Mary’s favorite of the night.

Second round.

Noelle and Ryan, Smooth Waltz, JD and Thomas. Ryan is proved to be a good partner again, he’s everywhere for Noelle all the way as they move smoothly across the stage. Their bodies move right in timie with each other, and their performance is extraordinary. All in all, fabulous movement and effortless footwork.

Ashleigh and Legacy, Hip Hop, by Dave Scott. Sorry, but I have to say this creepy vampire routine is the worst Hip Hop routine I’ve seen on this show. And it’s mainly the choreographer’s fault. Even Sonya knew how to incorporate Legacy’s B-boy style into her routine, why the hell there’s not a single B-boy movement in a Hip Hop routine? I can see the concept of this dance, but there are so much elements that have been missing. The judges don’t want to insult the choreographer, so they turn to criticizing the dancers. That have make things worse for them, I have a feeling these two might be going home.

Kathryn and Nathan, Rumba, Tony Meredith and Melanie Lapatin. Their chemistry still fails to show up, and it’s Nathan’s fault. I don’t see any emotions in his face! They danced well like they are choreographed to do, but the performance is not there. And that is a big failure for a Rumba routine.

Mollee Gray and Russell, Jive, by Anya and Pasha. Welcome back, Anya and Pasha, love to see previous contestants showing up on the show. Both dancers get into their characters very well, giving us a phenomenal performance. This couple looks very promising, their playful and fun relationship has been shown as well. I think the judges would be regreful that they have put Mollee and Nathan together.

Ellenore and Jakob, Contemporary, by Sonya. These two surely is the best couple of the night. They have raised the bar for the show so higher that I don’t think any other couple can reach. Ellenore is simply the best choice for any piece that Sonya choreograph, period. Her weirdness and wickedness are so fit into Sonya’s style. If she choose to be a choreographer in the future, she would be Sonya Jr. Nigel has changed his mind again by saying this is really his favorite, wonder he’ll change again, lol.

Between the 10 couple routines, we also see the Top 10 perform their solos. Here’s what I think of them.

Mollee is the first one to perform the solo, and she has already set the bar very high for the other girls. Her movements are so flexible.
Great to see Russell’s Krump again. There is no doubt that he is so amazing in his own style.
Noelle’s showing her great technique while smiling, great performer.
It’s really hard to judge how well a ballroom dancer perform solo, so is Ryan’s performance. It’s good, but I don’t think is great.
Kathryn’s technique is astonishing, and she looks beautiful when dancing. Her control of her body is extraordinary.
Nathan still haven’t found his emotions. I just could not feel connected to him.
Ellenore is being in her allien world again, which I love her very much.
Legacy’s crab walks finally remind us that he is a B-boy. But is it too late to show his incredible movements at this late moment?
Again is hard to judge ballroom dancers, I can see Ashleigh moves her feet so fast. But something’s dragging me away, her costumes!
Finally, we get to see Jakob perform his solo. And it’s just what you would want to see on him. Passionate, yet beautiful.

That’s all. As for the elimination round, I think Ashleigh and Legacy might be in danger, along with Nanthan.

So it’s time to find out who will make into the top 10 and go on the tour later. The show started with a weird puppets routine, at first I think it’s choreographed by Wade Robson, but it turns out to be Tabitha and Napoleon work. Nicely done.

Karen and Victor and Asleigh and Jakob are brought up on the stage first. It’s obvious that who’s safe and who’s in danger. Asleigh and Jakob are the first couple that make the top 10, poor Karen and Victor are in the bottom three the third time. (Third time’s a charm?)

Next two couples are Mollee and Nathan and Legacy and Kathryn. It’s sad to see either one in danger. And it’s a bit surprise that Mollee and Nathan are in the bottom three for the second week. I thought they have a larger fan base than any other couples. Anyway, congratulations Legacy and Kathryn.

Last but not least, are Ryan and Ellenore and Russell and Noelle. Ryan and Ellenore’s two weird routines could not save them, they are the last couple in danger. Good to see Russell and Noelle make into the final 10, though I think Ryan and Ellenore will follow them right after.

Here’s how the solos look like to me:
Karen tries to show her sexual appearance harder, wearing bikini-like clothes. And just repeats what she did in the past.
Victor is dancing for his life. His solo is full of power and passion.
Mollee’s solo is not as best as her last one, maybe her ankle is still not that good.
Nathan is also spectacular, though I feel he could be more mature.
Ellenore is weird as she was. And that is a big disadvantage for her in the top 10 and later performances.
Ryan looks like some male dancing in the night club, sorry, no offense.

Then Shakira takes the stage to perform, it seems to me she’s lip syncing.

And it’s decision time. There is no doubt that the judges are unanimous in voting Karen out. Nigel is not in favor of Nathan, but it’s Victor that gets the cut. Pity. Hopefully he might be alternate on the tour.

This evening is by far the best performance show of this season. Some of the dancers have nailed their styles extraordinarily. Maybe it’s because this could be their last performance as a couple, so everyone have pull everything they’ve got.
Here’s how each does.

First up, Ryan and Ellenore, Lindy Hop, by Carla Heiney. Lindy Hop is back, though I could not remember when or who did the last one. However this one surely would be remembered. Both of them work very well, they are fully into their characters and full of energies. The lifts and turns are flawless. We are told that Ryan hurt his back during rehearsal, but you’d never know that watching him performing. What a professional!

Second, Kathryn and Legacy, Jazz, by Sonya. Oh, Sonya, what a fabulous job of merging these two dancers’ different styles into this routine. Both Legacy’s B-boy skills and Kathryn’s lines are truly shown off,that’s what a great choreographer does. This dance is really fascinating to watch. Nigel even says this is his favorite.

Third, Karen and Victor, Tango, by Tony Meredith and Melanie Lapatin. First week as a couple together, but we could already feel the chemistry between them. This is Karen’s style, so there is no doubt that she rocks it.Victor aides her in every steps and positions quite well, making the piece fluently. If only Victor could be more elegant, this routine would be perfect.

Fourth, Mollee and Nathan, Hip Hop, by Jamal Sims. Mollee is too lovely in this piece, which is not good in a hip hop dance. She does put effort into making it looks like hip hop, but she doesn’t hit hard enough, been struggling all through the routine. She’s not enjoying the dance. Nathan, does a better job,enjoy the dance. Still, the two are not sync quite right with each other, making this piece looks unexcited.

Fifth, Noelle and Russell, Samba, by Tony Meredith and Melanie Lapatin. This is not their safe zone, especially for Russell, who has no formal training ever. That said, both of them do the right steps, which most other people failed. However their performances are not good enough. Noelle is shaking her hips uncomfortably, the expression is written on her face. Overall, it’s an OK job for them.

Sixth, Ashleigh and Jakob, Lyrical Jazz, by Sonya. Another fantastic job by Sonya (Nigel changes his mind that this is indeed his favorite). These two are just perfect for each other (sorry, Ryan, you are out), their chemistry is so amazing.Their dancing styles are integrated together extremely well. Their lines are gorgeous, the lifts are effortless, the whole piece is very beautiful to watch. Without question, these two make the best couple of the top 20. Sadly, we’ll see these two break up next week.

Second round.

First, Ellenore and Ryan, Broadway, by Spencer Liff. Another puppet routine, another excellent job by the two. Ellenore is so into the character that would make most people believe she is really a puppet, not a lot of people can achieve that. Ryan has pull off a great performance as well, despite his back injury. Both of them have made the charactersreal to watch. Great job.

Second, Kathryn and Legacy, Vietnamese Waltz, Jean Marc Generaux. This routine is about Kathryn as Legacy’s guardian angel, helping him through life and making sure he keeps hope. And Kathryn does help him throughout this whole routine. Legacy’s steps are not right, his face seems to be a bit tense. But the routine is passionate and inspirational to watch.

Third, Karen and Victor, Hip Hop, Laurieann Gibson. This piece is about moving their own personal mountains. Another bad hip hop routine of the night. Their chemistry is lost, right from the beginning, they are not in sync with each other. Though it’s up to the audience to decide their fate, I doubt they’ll be safe.If they dance switch the order with their Tango, it might be better for them. And if they are in the bottom three, which would be the third time for them, they are doomed.

Fourth, Mollee and Nathan, Can Can, by Tyce Diorio. There is only one thing that makes this perfect couple for this style looks dreadful, the wardrobes they wear! (I really think that Fox should fired those people working for that.) This is a piece that requires so many energies andenthusiasms that only they have. Their techniques and strengths are all well showcased throughout the piece, some movements are really amazing that I doubt anyone else could do. Like Nathan’s eight fouettes. However, the wardrobes just ruin it! Hopefully their fans will pickup phones for them this time.

Fifth, Noelle and Russell, Contemporary, by Tyce Diorio. Another beautiful routine to watch. Both of them move so elegant and beautiful, the use of painting has made the dance looks like pictures. Everyone has forgotten that Russell isa krumper, the effort that he puts on making people believe in him is outstanding. I believe they will be in the top 10.

Sixth, Ashleigh and Jakob, Cha Cha, by Jean Marc Generaux. Finally we get to see Ashleigh in her own style, and it’s just what you would expect, fabulous. Jakob is everywhere for her, allowing her toshine in her own world. They are still the best couple of the season. You can’t ask any more of them.

The show starts with group routine, and right from the beginning, it’s very clear that this is choreographed by Wade and Amanda Robson (and it does turn out to be true). Weird but cool. I believe we will see this piece about statues in a museum in the finale again.

Then, it’s result time.

Jakob and Ashleigh and Karen and Kevin hit the stage first. Based on everything, their performances in the previous night, the judges’ opions, and their appeals to the fans, there is no doubt who would end up in the bottom three. Jakob and Ashleigh is safe for sure (I have faith we will see that Hip Hop routine in the finale as well), leaving Karen and Kevin in danger.

Next up, Viktor and Channing and Russell and Noelle, Ryan and Ellenore. Travis Wall’s magic never failed before, so is this new routine by Ryan and Ellenore, they are safe. As I predicted, the audience did not fell in love with Tyce’s weird piece, making Viktor and Channing the second couple in the bottom three.

Last up is Legacy and Kathryn, Nathan and Mollee. I guess many people would be shocked that Nathan and Mollee did not pull enough votes, like the judges and me. Maybe some backlash from last week’s dreadful Samba, or most people assumed they would be safe and did not vote for them. Anyway, Legacy and Kathryn are safe, and they deserve that.

Here’s how the solos go:

Karen still does what she did before, showing her sexual body. We know it’s difficult for a ball room dancer to perform solo, but, this is the fourth week into the competition now, work something out!

Kevin’s good, just good. There is nothing unique in him. Other Hip Hop dancers in the past seasons are much more extraordinarily than him.

Channing is trying hard to show her personalities, but I still feel it’s not enough.

There is no doubt Viktor is spectacular at his dancing techniques. However, maybe he’s got affected by Channing, his personalities don’t shine.

Without question, Mollee’s solo is the best of the night. She’s not going any where.

Nathan’s solo is not as great as I expected, still, better than the other two guys.

Then, Nigel diliberate the result, they are unanimous and Kevin and Channing are eliminated.

Next week, Viktor and Karen will be new partner, hopefully Karen might help Viktor to show his personalities.

This week, we are enjoyed by photos and videos of childhood days of the judges and dancers. Seeing the photo of Nigel’s English schoolboy attire and Mary Murphy’s kiddy-diva days is quite fun.

And here’s how the performances go:

First couple on stage, Ashleigh and Jakob, Hip Hop, by Tabitha and Napoleon D’Umo. It’s funny if we take a look at how this couple’s dances work out till now, they have been stringed into a relationship. First, Ashleigh seduced Jakob, then they got married, then they battle over a cane, and this evening Jakob is cheating on Ashleigh! And, what a great dance to start this show, this should be one of Tabitha and Napoleon’s best choreography. Both of them show their passion and anger when it comes to being in a relationship. Their acting is so believable, their moves are precise, there is nothing to criticise them. There is no doubt that they should end up in the top 10.

Second, Karen and Kevin, Broadway, by Spencer Liff. Without energies, without personalities, Broadway is dead. Both of them don’t get the Broadway style, their chemistries are gone. Kevin is struggling hard, he looks very uncomfortable. After three straight weeks on the Hot Tamale train, they are off track this week.

Third, Noelle and Russell, Fox Trot, by Eddie Simon. This is the second time that they pull out this style, though Noelle failed to perform due to her injury last time. Now we finally get a chance to see how they handle this second deadliest dance of the show. First, Russell has imiproved greatly since his first performance, his footwork and arm placement are much better now. Noelle’s movements are gorgeous, and graceful to look. The whole performance, their lifts and chemistry are all amazing. This is not their comfort zone, but they pull it off.

Fourth, Channing and Victor, Jazz, by Tyce Diorio. Tyce’s style has become more and more crazy, and I love it. This piece looks a bit like the “Hummingbird” dance, Channing and Victor turn into two eclectic black birds. Great performance. Channing has finally show her progression in the show. Though the judges think that Victor has not grown as much as the other contestants. Overall it’s a good routine, however, the question is whether the audience like the concept or not.

Fifth, Kathryn and Legacy, Paso Doble, by Tony Meredith. Legacy has continue to impress everyone, as a B-boy, he sure has grown a lot. Kathryn has become another person this week, more mature than ever before. This toutine is passionate, fierce and intense, all that you could ask for in Paso Doble.

Sixth, Ellenore and Ryan, Contemporary, by Travis Wall. Once again, Travis has proved himself to be a great choreographer. This routine is a simple yet passionate story, is very beautiful and has pulled both dancers’ strengths on. Both dancers have completely put themselves into this piece and their characters. Ryan’s strenth makes the lifts effortless.

Last, Mollee and Nathan, Pop Jazz, by Laurieann Gibson. Hard hitting, sharp and on the point, that’s Laurieann’s works. Both of them have achieved all of them, the dream team’s back. They synchronize with each other flawless. Mollee’s very committed to her dancing. Nathan is called one of the most technically gifted dancers on the show, though he needs to be more mature.

Then, before the show ends, Cat asks the judges who they think might be in danger, and all judges agree that it would be Karen and Kevin. While I doubt Channing and Victor might not attract enough votes for them.

It’s the first time of this season that the audience has their voice heard. We all know that the audience has a tendancy to disagree with the judges, this evening it’s proved to be true again.

The show starts with a Hip Hop routine with a tribal theme, choreographed by Dave Scott.

Right after the dance, the first three couples come out to face their fate. Ellenore and Ryan are the first couple in the bottom three, Channing and Viktor, Kathryn and Legacy are both safe. Nothing unexpected.

Next three couples, no trouble for Ashleigh and Jakob and Russell and Noelle. The Quickstep has been proved to be “kiss of death” again, Pauline and Peter are in danger.

Next up, are Mollee, Nathan, Karen, and Kevin. The power of fans has saved Mollee and Nathan, leaving them in shock. No surprise to me, they are both young and adorable. I’d wonder whether the fans can keep them up to the top 10 or not. Karen and Kevin are the last couple in the bottom three, but I’m sure they are safe based on their previous performances.

Before the bottom three couples’ solos, we are presented with a performance by the Alvin Ailey American Dance Theater, quite amazing!

Then it’s solo time, and all six solos fail. As Nigel says later, they are better than last season’s dancers, but they haven’t shown in their solos.

Ellenore tries to be diffenrent, but she’s not weird enough. (Try Sonya’s style next time, maybe.)

Ryan does an OK job as a ballroom dancer, we all know it’s hard to perform without a partner.

This is the second time Pauline has to dance for her life, and she still fails to show her quality again.

No music for Peter, that’s a big setback for him. We don’t see much emotions on his face.

Karen concentrates too much on showing her sex appeal.

Keven’s solo is not impressive, compared to other Hip Hop dancers of the past seasons.

At this moment, my bet’s on Pauline and Peter. And the judges’ decision is the same. Sadly, all three tappers are gone now. I have a feeling we’ll see some ballroom dancers gone before the top 10, we’ll see.